This, I feel, helped me take the book seriously had Furuya chosen to depict women as impossibly curvaceous and busty it would have taken away from much of the point of the manga.
Even in situations that are at least somewhat pornographic, every woman is drawn to an appropriate and realistic scale. I was also quite pleased with Furuya’s depiction of nudity and sex. The clean line style of the rest of the manga is replaced with smudged darkness, doing much to portray Oba’s state of mind. we escape into the head of Yozo Oba, the main character.
The art is fairly typical for a manga of this sort, though I feel as though Furuya’s talents shine the best as In the afterword of the final volume, Furuya claims that he was not able to truly capture the despair of the original, but I feel as though he has, at the very least, come quite close. Usamara Furuya updates Osamu Dazai’s novel for modern audiences and does an excellent job in the process. It is about the slow descent of a man who breaks and falls.
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